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Production Archives |
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"Motion" Pictures: Asylum Effects Photo Collage for Canon Spot
With creative input and visual effects design from Asylum, Canon's Rebel XSi broadcast campaign features everyday scenes unfolding in successions of still photographs that provide a feeling of movement while exemplifying the power of the still image.
Jun 20, 2008
Global Gastronome: Shooting HD is on the Menu for No Reservations
Intrepid videographers Todd Liebler and Zack Zamboini spend most of their time these days flying to exotic locals throughout the world with chef and author Anthony Bourdain, shooting video as he learns about the culinary tastes of people in the most remote corners of the world. The Travel Channel series No Reservations, now in its fourth season, takes the intrepid Bourdain and crew from Laos to Romania, Japan to Jamaica, with each new situation as unique as the indigenous recipies. Wherever Bourdain goes, meeting local people and checking out local haunts, the two videographers are in tow. Each one-hour episode shoots for 10 days in a different country.
May 20, 2008
Better Undead on RED: Shooting a Monster Production
Rosencrantz and Guildenstern Are Undead is the feature film debut of writer/director Jordan Galland. In order to handle the antique subject matter of this horror/comedy—vampires, Hamlet and the Holy Grail—Galland turned to cutting-edge camera technology from RED Digital Cinema and state-of-the-art digital processing solutions from Assimilate at Offhollywood Digital.
Apr 23, 2008
Russell Carpenter, Director of Photography, 21
Cinematographer Russell Carpenter, ASC, hadn't really seen much in the way of digitally-shot features that inspired him until he caught Mel Gibson's Apocalypto. Shot with the Panavision Genesis camera by Dean Semler, ASC, the film impressed Carpenter as looking entirely cinematic and devoid of some of the more "video-y" attributes he'd perceived in other features shot in HD. So while preparing the feature 21, Carpenter decided to investigate the Genesis, primarily for its reputed ability to see deep into shadows—an attribute that could be particularly useful for the significant portion of 21 set inside Las Vegas casinos.
Apr 23, 2008
From Here to Infinity: Scott Billups uses Thomson's Newest Camera for Historical Forensics Show
When cinematographer and technical maven Scott Billups was hired to create portions of the Discovery Channel's Bone Detectives, he naturally sought out a camera that could provide crisp, robust imagery for the significant amount of greenscreen work that would be involved. Billups makes it a point to try out new imaging technology as it appears—he's shot with Sony's HDW-F900, Thomson's Viper, Panasonic's VariCam and the much-discussed RED ONE from RED Digital Cinema—so when the long-awaited Thomson Infinity camera became available, he was happy to test it. Though his first choice for the job would have been the RED, he explains, "It wasn't possible because of the recall [of the first set of RED cameras], but the Infinity worked out very well."
Mar 23, 2008
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